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Marti from Maui!

Marti  ~ August 2008       

Got A.D.D.? Get Cartoon Network

This article landed in my inbox today and set me to thinking. It was just the other day that our middle school kids reported that they figured about half their classmates supposedly suffered from ADD. I had to ask myself how could it be that half the population has ADD? Has ADD now become a state of normalcy? And if so, how can we continue to deem it a “disorder?”

I suspect that it’s more likely that parents hold such high expectations for their children nowadays that anyone who isn’t absolutely focused, restrained, disciplined and motivated by society’s acceptable means may be termed difficult. They are too smart for boring classrooms, too creative for the inside the box thinking we demand of nearly everyone currently. Of course, I’m not saying in many instances the diagnosis of A.D.D. isn’t legitimate.

The author of the article, a noted M.D., suggests a sense of detachment lies at the bottom of it all, caused by our technological, info-tainment society where newscasters report horrific details of current events then shift light-heartedly into banter about sports and weather, as if no emotion is the best emotional response to what is going on around us. We mistake the proclamations made by a TV actor playing the role of president as policy. The author suggests we no longer know the difference between fact and fiction and take our cues from performers as to how we ourselves should behave and respond to real life.

According to the author, the kid used as example in this article, supposedly marked with A.D.D. and an identity disorder that leaves him on the “outside looking in,” is a result of all this packaged identity that pours out of the media. But I’m not sure I buy into that theory entirely, with all due respect to the esteemed professional who suggests it.

My generation grew up on TV, watching Leave It to Beaver and Gunsmoke, but at a certain age we learned to realize the difference between pretend and real. It seems to me that no matter what’s put before you on the media the bigger issue to developing a true sense of your own identity is to have the freedom to learn for yourself who you are by trying things and finding out what you care about and enjoy. Perhaps this kid just hasn’t found his outlet yet. Maybe he’s torn between pleasing his parents’ model of what he should be and gaining his friend’s acceptance in expressing his true self. How many people are allowed that freedom these days? Who has a chance when the minute you step outside the box you are put on drugs to curb the urge?

All kids want to fit in, most teenagers in particular. But I find that the range of acceptable is becoming so narrow that we send kids to therapists and put them on Prozac the minute they stray from the narrow confines of what constitutes “success” and living up to their presumed potential – which translates to our expectations.

Take me for example, and no, I’ve never taken prescription drugs. But I have been accused of being slightly weird so I can relate my own experience to the kid in the article.

Having been so very productive and creative lately – writing those scripts and developing products and such – I find myself suddenly in a self-imposed lull. I, like all sane humans, must do this from time to time in order to fan the flames later. If you keep running at such a high burn level it’s pretty obvious that you will – well, burn out. So here I am trying to avoid burn-out and finding I’m rather bored as a result. Instead of relishing the time off, lingering over a book or movie, splashing in the ocean and feeling good about the glorious freedom I’ve allowed myself, I feel a little addled, unfulfilled, and restless. As if I had ADD. Maybe I’m depressed…

Or, perhaps it’s just the result of the uncomfortable feeling that comes from having been constantly stimulated for so long. If I were a kid, I’d be required to suffer this imposition regularly; in the classroom, at the dinner table, on a bus, in church. I’d find myself getting fidgety when nothing much was going on. My brain would wander, searching for the high-level stimulation to which it has become accustomed, which it now prefers. I’d start throwing spitballs or shuffling or swaying – as I do in the grocery store checkout line even today. And my parents would tell me to stop it right now.

So like me, ADD kids may run from activity to activity, distraction to attraction to find at some point in the process they will either suffer burn-out, exhaustion or suffer boredom. In fact, most things in their lives may come across as boring and uninspiring. Often times when really restricted, the kid turns to drugs or alcohol to further numb the creative urges that find no home. Personally, I’ve chosen instead to just keep creating – and try not to let anyone stop me. I’m an adult now, so I can do that most of the time. But kids can’t.

I know it’s not just me feeling this way and I seriously doubt I would clinically qualify as having ADD. The cycle and its resulting trials appear to be society wide.

Have we lost our comfort level with those who are a little different? Where other society’s seem to embrace certain eccentricities, we blast them. Unless they happen to make a fortune with their weirdness, like Bill Gates or George Lucas – in which case they are heroes. (But still weird.) How do they handle this in other societies? What of those elements that having us flocking to Europe so we can sit at cafes and while away the hours sans guilt? I’ve noticed in Europe that there’s a much broader array of dress, mannerisms, quirkiness. We have to go overseas to indulge ourselves this way because if we do this at home we’d be called shiftless and odd, if not by our neighbors and bosses, then by our inner critics.

But those kids of ours - relentlessly playing video games and goofing up and making a mess and spinning around for no good reason at all but to get dizzy - they must have A.D.D. I think we simply envy their freedom. That’s why we give them pills to snatch that pure freedom away. We calm them down; make them get back to work; show them how hard it is to get to where we got.

Nose to the grindstone: I wonder if Europeans suffer from rampant ADD? Are they uncomfortable whiling away the hours doing rather mindless things that won’t add up on their resume or account in their paychecks? Don’t they feel ashamed shutting their louvers from 1-5 p.m. and letting all that potential business go to waste while they – ulp - nap? We Americans work, work, work to get more, more, more and have less, less, less when we actually get to where we thought we were going. And we are surprised the kids reject this notion of life?

At what point will the inevitable depression sink in as they, too, are caught in a meaningless quest plugged along by pills and promises? When the truth is, as my wise coach pointed out to me today, the happiness is always right there in the doing. Right there in spinning ‘round watching the clouds and carving images in the dirt with the toe of your shoe. Right there in the moment of creation. What comes from it later is just gravy, or merely to put gravy on the table.

This tells me that if you are not engaged in the very thing makes you happy in the doing, good luck, because the satisfaction and happiness likely won’t come later on either. Maybe the pride and sense of accomplishment will. After all, you worked so hard and deserve to be commended, but unless you loved what you were doing all along it’s very unlikely the payoff will make up for it. Perhaps this is what kids know and we’ve too often forgotten.

But there’s another aspect to this. We all need a story to tell and share. When kids spend a huge amount of time in a virtual world, to whom do they tell their story? What do they deliver over the dinner table when the question is posed, “so what did you do today?”

So Cut to the Chase: In another in-box notice from the wonderful webzine called “Conversation Matters,” I am reminded of the power of mini-stories. Over time, from Plato to Jesus, the power of relating a concept or idea via a proverb, story or myth, is the most powerful because people love to hear stories. They want to be reminded that someone else out there has experienced similar things. That’s why when you try to teach a lesson to a kid, or an adult for that matter, a story almost always illustrates the matter better. “Let me tell you what happened to so-and-so when he tried that…”

So why don’t we follow the example of the great masters and teach and share more via stories? Perhaps we’ve decided that stories take too long. But a good story is brief – two minutes max. Teaching kids directly, giving them instructions, problems, and tasks is likely not as effective in gaining their true involvement and attention as good, efficient story telling.

So many of the things my kids impress me with - insights, awareness, melodies of Beethoven’s Ninth Symphony, all the things I know I never introduced to them directly but they somehow know - they’ve learned from TV and video games, and very occasionally, from real life. They seldom note an unexpected bit of knowledge was gleaned from a lecture or a textbook. “I saw a special on TV,” or “It was on Cartoon Network” are more likely their cited footnotes. But we must be watching and playing the same things to have a connection to “what they are doing.”

In an interview recently, Sting cited the myriad entertainment choices we now have as a major loss to society – we are lost in the vastness of the former gathering place. Long ago we sat around a campfire and listened. Then we gathered at great coliseums to watch together. In our generation, we gathered round three channels of technology – the TV – and at least experienced as a family together this virtual fantasy where we learned things, directly or not. We had a basis for connection.

But what are your kids doing? How can they share the gains they made on a video game over the family dinner when their parents have no clue? What are our alternatives? If man lost his connection to his meaning when society shifted from agricultural – where the results were real and authentic – to industrial – where at least there was a product at the end of the day, where is our connection to one another in the age of technology?

As novelist John Steinbeck wrote, "We are lonesome
animals. We spend all of our life trying to be less lonesome.
One of our ancient methods is to tell a story begging the
listener to say - and to feel - 'Yes, that is the way it is,
or at least that is the way I feel it. You're not as alone
as you thought.'"

Maybe we may need more means to connect together in ways that all members of the family and society can tap into and be entertained. And it’s true that while everyone is off in their own corner tapping away at a keyboard, there’s not much interaction going on.

Which reminds me, I have to go…

Make Sure You Stop By and Read More of Marti



Marti on Maui!
 

Fields of Gold

 

"I Feel Good About Nora Ephron" 

There are times when I need some authentic cheering up. They don’t produce enough comedies for the big screen, so it’s hard to rely on that. If I hadn’t already seen every good comedy produced more than once, watching funny movies would be my favorite way to get over a bad mood. Instead, I typically watch sitcoms on TV, or read something ridiculous or funny, which is also in short supply, if you ask me.

I saw Nora Ephron at the Maui Writer’s conference a few years ago. I loved her candid and self-effacing way of presenting really clever ideas. I related to her when she described her relationships and the men who didn’t understand her and her need to do this work she did, among other things. I also related when she admitted to questioning herself and the negative impact her work might have on her relationships. I thanked my lucky stars in August of 2005 when I saw Ms. Ephron at my first writer’s conference, that unlike Ms. Ephron, I was fortunate to have a husband who really did seem to understand what I was up to. The irony slays me at times.

I found out a year later that my husband didn’t actually get what I was up to at all. He’d been faking it, trying to be supportive when in fact, he wasn’t In fact, had been extremely dismayed by my pursuits to the point he asked me for a divorce in August, 2006. He had explained his choice by telling me that in spite of my being a great person with lots of talent, I made him feel inadequate, (which I still refuse to believe), that I was too ambitious (I’m not; I just need an outlet for my creativity), and that I thought and talked too much. That last bit I’ll fess up to. What can you say to such accusations? I’m sorry for being who I am?

This morning I awoke just after having had a dream that suggested the malaise I’m dealing with due to my pending divorce. I think I’m almost over the broken heart of learning that my husband doesn’t love me as I loved him and couldn’t work through this little difference regarding my ambition, as I believe people who truly love one another would. The real crux of the break-up, therefore, has to be that. He just didn’t love me enough, which explains why he started to feel inadequate. No matter what you buy, and say and try, if you don’t really feel it, it won’t work. I’ve rationalized enough for this to be okay with me now.

The part that still haunts and tears at me at times is that this wasn’t the way it was supposed to go. My hang-up in dealing with my first divorce was, not surprisingly, very similar. I had this romanticized vision of how my life was going to play itself out and that included marrying the man of my dreams, who adored me for all that I was, nothing more or less. If you do find true love, I reckon, your life becomes an epic story. True love, it appears, is rare but I want it in my life. Really badly. So badly I’ll fool myself time and again.

I have a good imagination; I make up stories. The story of my life was simply the best fantasy piece not yet actually written. I was to live it, like a fairy tale. The first time didn’t work out either, so I had even higher hopes in this second time around. My second marriage, I had truly convinced myself, was the real and everlasting deal.

This romantic need is why it took me so long to face the truth and reality of my marriages as they turned out to be not the everlasting real deal I’d hoped for. I could have easily seen the signs (and looking back now I certainly can) that my real life had less resemblance to my dream life than I wanted to immediately admit. Facing that reality would mean I failed to create the dream that exists in my head in my real life.

Since this is my life and not a story I’m writing, it’s a hard blow to take. How many more chances will I have at a rewrite? And even if I do have more chances, I can’t just crumple up the chapter that didn’t work out and throw it in the garbage. It is history, written and real. The mistake, the misconception, the failure are already done; no delete buttons with which to erase the evidence. All typos go into publication, inexcusable and undeniable.

This makes me face another very difficult truth about myself in general. I guess it’s time to admit that I hate to be wrong. I once told a friend in college during a pseudo deep conversation about the meaning of life, one of those you have while you’re young and stupid that seems so truly deep at the time, that I wanted only one thing from life and that was to have no regrets. I said this to explain why I’d left my first true love behind to go out and prove something to myself and travel the world and live abroad and have adventures and anything but marry the boy next door and create a life that was nothing special. My friend turned to me at said, “But trying to live without regret is what you would regret.” I think of her shattering statement often all these years later, this young women and her prophetic insight into my character. In other words, needing to always be and do things right is what you’ll regret.

Thank God I had children. My sons are the most special thing I’ve ever done, and even that was mostly a passive endeavor. Child bearing and rearing really is mostly a matter or reacting and dealing with things. There may be a few creative moments that might even have a lasting and meaningful impact on the child and his outlook. But for the most part, you’re just there doing the work and the only thing that really matters is that you do the work.

So it’s ironic that just doing the work ends up being the most meaningful thing you can do, in spite of your talents, unique abilities and attitude. In parenting it seems that the more ordinary you are in that work, the better for the kid. Cook up good oatmeal, put together a Playskool puzzle. Kids like things simple and predictable. Ordinary parents are the best for child-rearing, I’ve decided. Just show up and do the work, and you’ll accidentally end up with something meaningful to show for it. You don’t really have to try that hard. It’s all so ironic. Irony slays me.

I figure this is where I’ve gotten into trouble. It seems to me that in my life I’m there doing the stuff of everyday, ordinary life and somehow I failed to see that this was exactly what I’m meant to do. Period. Like the Zen philosophy that tells us to be fully present, just moving the sand, stirring the pot, as long as we’re really into whatever that is before us, we’ll find the meaning and measure right there in the soup. So the matter has to do with passion. We can have passion for the simplest things, too. But passion can also overtake us.

Here I am, staring into the soup, feeling restless and bored and wondering what else I’m supposed to be doing. I’m searching for that passionate thing to throw myself into. Early childhood does it for most mothers, but then the kids get older. Early romance does it, of course! But if you want to stay married a long time you have to accept that some of that becomes routine – in a good way. Yet, it leaves space for the need for passionate endeavors. For some people, they have an affair, or take up golf. For others it might require pushing a few more limits to see what they can do. My passion is writing and creating.

I used to question why it was that I always wanted more from myself. Why couldn’t I just be content with what was there, the task at hand? I think the answer to that is a reasonable search for something that stirs the passions of my soul on an ongoing basis. Going for the passion requires continued growth. You can’t keep it burning by sitting in the same spot doing the same thing you did ten years ago.

To cheer myself up from all this grim reality checking that could potentially result in my having the very thing I didn’t want from life – a series of regrets – I read a humor book by Nora Ephron, “I Don’t Feel Good About My Neck.” Nora is a very funny lady seems to have followed her mother’s advice that “Everything is copy.” Things happen in your life and no matter how good or bad or indifferent, if you’re a writer, they can always be viewed once removed as fodder for a story. It’s how you make sense of the ordinary things. In fact, there’s a potential story in everything that happens. Although taking the once removed approach to difficult things can make them easier to handle, I wonder sometimes if viewing your life as a big movie doesn’t have potential drawbacks.

Just the other day my sister and I were discussing why it was that sometimes in the very moment when we’re having the most fun, we can be struck with the awareness and reality that good things can’t last forever and a sadness creeps in. The more fun it is the more sadness. Like Lester says at the end of “American Beauty,” sometimes life is just so beautiful it hurts because you want to hold on to it longer than you know it can last.

There’s a built-in nostalgia even as the thing is happening. The birth of a baby, the marriage of your child, the rapture of true love; you weep at these joyful moments because it’s so real and beautiful but you know it can’t last forever. And that makes it also kind of sad. I think everyone experiences this, but it just may be particularly profound for creative writers. We know that as the party builds, while everyone is frolicking and having the time of their lives, that the next frame will bring the villain crashing in and ruining things for the hero. You can hear it in the background music, ominous and menacing even as the band plays on and the champagne flows freely.

The problem with being too aware of these potential cinematic moments in our real lives is that, unlike when we craft a story, in real life the drama is built in. It will come with no work or anticipation from us whatsoever. There’s no need to create it. There’s no need to be aware of its ominous presence before it has arrived. We can enjoy the party and stop thinking about who’s about to crash the gates. And when they do crash the party, (and someone or something always will) we should simply thank the host for the lovely time and get the hell out of there.

All this brings me to the real point of my journal this morning. Nora tells the story about how she eventually had to move on from the apartment she had clung to for so many years out of desperate devotion and love. It took the rents rising extraordinarily, suddenly, for her to realize this apartment wasn’t going to work for her any longer. This imposed change wasn’t easy; she loved the place.

From there she had to weed through all the stuff she’d accumulated in that era of her life and move on. She expected to be miserable, leaving this place she loved, but within days of moving to the new abode, she found herself feeling at home again. She claims she hadn’t been this astonished since the end of her second marriage (and here I can relate to her story).

At the end of her second marriage she had asked herself similar questions, (and here I can really relate) “Why hadn’t I left at the first whiff of another women’s perfume? Why hadn’t I realized how much of what I thought of as love was simply my own highly developed gift for making lemonade? What failure of the imagination had caused me to forget that life was full of other possibilities, including the possibility that eventually I would fall in love again?”

Two things came from reading this on a Sunday morning when I was looking to cheer myself up. The first was, “Holy criminy! I, a very creative person, have been experiencing a major failure of imagination! I, having been so keyed into having this life of mine go the way I wanted it to, so despondent over failing to make it just so, that I have forgotten that by opening up and letting the inspirational forces of the universe in (which always works best in both writing AND in life) will evolve into better things than I could have imagined on my own!” And the second thing I realized was, “Thank goodness Nora Ephron followed her passion and wrote this stuff down.”

She cheered me up on a Sunday morning when I really needed it. Maybe I’ll write her a letter and thank her. For certain, I will spend the next 21 days (the time it takes to form a new habit) not trying to manage the story of my life. I’ll just let it happen and be present in the moment. That is where the story is, after all.

 Is It Love, Or Is It Maui?

For years I shunned the idea of visiting Hawaii. Too commercial. Too many overgrown surfer boys, hula girls on dashboards, umbrellas in Mai Tais and tacky jokes about getting "lei-ed." Where was the adventure in Hawaii? How would the budget-minded traveler find her place amid the high-rise condos and beaches of Waikiki? There was a whole world to see out there and Hawaii was the familiar prep-schooled boy next door. I stayed away, convinced it was better left to the suburban, middle-aged vacationers who only ventured out once a year and didn't want to bother with a foreign language or cultural discrepancy.

One day I was lured to the islands by a free ticket. Even though I admit that I went under the wrong circumstances, how could I ignore the glorious beaches, the wonderful assortment of tropical fish witnessed on my first snorkel at Kihei and subsequent ventures to Molokini crater? I was awed by the spectacle of light and color viewed from the top of Haleakala at sunrise with its lunar landscapes. It was with sheer amazement that I gazed at the infinite ocean and sky while being at the highest point on the most remote island chain in the world. To find that a foreign culture did exist in the context of the United States of America, where the water was pure and the air was clean, somehow surprised me. This was my first date with Hawaii and I was definitely interested in the second.

That came soon enough under much more auspicious circumstances. I flew into Lanai and was dazzled by the unique ambiance this little island offered, only miles from Maui. A four-wheelin' Jeep expedition down rutted dirt roads across the entire length and breadth of the island expanded my awareness for some of the more intimate and complex qualities the islands might offer. The beautiful, reserved elegance of the Lodge at Koele provided a cossetted comfort I had never before experienced and certainly never expected from Hawaii. This was as far from clique high-rise hotel as one could get.

Returning to Maui on the same trip I checked into the sublime Four Seasons in Wailea and began sensing the inevitable enchantment Maui would conjure before one's eyes. On a day drive to Kapalua during a picnic on the outer stretches of the lava-formed rock outcroppings that drop dramatically into the sea above Honolua Bay, I became even more certain that I had found my paradise at last.

Still needing to know more, I returned once again and found one of the most spectacular sites to behold. The whales had returned to Maui with their little tykes in tow splashing and slapping to my great amusement. Every afternoon a light rain shower brought with it a myriad of ubiquitous rainbows - double bows, high bows, into the sea bows, barely visible bows and bows that glared with every color of the spectrum before dissolving as quickly as they appeared out of nowhere. Now, like a lover who suddenly reveals they can also sing -- and dance! (who knew?) -- Hawaii was marveling me with its seemingly unending reasons to love it.

Back on the mainland visions of Maui persisted. In the dentist's chair I dreamed of the beach at Kapalua, in traffic I drifted off to snorkeling at the Bay, during meditations I found myself constantly returning to the perfection of joy and peace that Maui had unveiled. Even while preparing for surgery and working through accepting the pain of life's inevitable personal losses, I turned to Maui for comfort. It became for me a touchstone and lighthouse of life beyond the rocks.

The allure had become undeniable; it was time to take the next step. When I returned to Maui for the fifth time it was with intention to stake a claim. We bought property and considered the true possibility of making the island more than a once in a while destination and dreamland.

I've worried at times that it's too good to be true. If you get what you always dreamed of, what do you dream of next? I wondered if staying on the island for extended periods of time would bring wanderlust or island fever. Would my head be turned somewhere down the road for a more beautiful and desirable spot? I decided to test the infatuation.

I started testing the waters by making a dozen trips staying as long as three weeks at a time. I read volumes on Hawaii's history and culture, explored the upcountry and wandered through outlets off the beaten track. Observing the locals and the natives, the tourists and the travelers, I hoped to see things through other eyes for a balanced perspective. I eventually moved to Maui and have continued to wallow in the spirit of Aloha that is truly palpable here.

So as not to be swayed by the obvious allure of this "vacation" fling, I waited to become disenchanted. I looked for flaws, examined my conscience, and cooked and cleaned to prove I wasn't mistaking room service for love.

Still, I found myself defending Maui's superiority during discussions with fellow travelers at distant ports. I learned to swat off detractors with carefully thought out counters to any objections.

My real, true love (or so I thought at the time) took me away to Bali and Bangkok, Malaysia and Mexico, Costa Rica and Cabo, the Outback and the Outer Banks, the Inner Passage, every charted Caribbean island so that I may be sure. I love to seek the new, of course, I write for a travel site! Yet, nowhere have I found a spot so serene, so pristine, so able to capture my attention like this one. I was done looking.

As time marches on the proof of love is revealed. Does it continue to inspire, to compel you to be better in the face of its radiance, to make you seek to understand more, to want to know it ever more deeply? As you learn more of the loved one's subtleties and intricacies, complexities and surprises, does that love grow even stronger? Well, at least in the case of Maui, for me it did. The more time I spend here, the more I find to love. The locals say it best, "Maui, No Ka Oi," Maui is the best.

Maui, No Ka Oi


Maui, No Ka Oi


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